Sickness & Health, Writing, Writing & Reading

The Wisdom of Narrowing

A few years ago at a Sheep and Wool Festival amid stalls of colorful yarns of all kinds, my mom and I stood there and agreed: weaving was off the table. At least for this lifetime, this was one fiber art we were going to forgo.  Though we both found looms and their products tantalizing, we knew that, for us, there simply wasn’t enough time for it.

I have made more decisions like these lately—especially as I have trying to pare down my belongings. I am not, by any means, a hoarder, but I have often had difficulty getting rid of a thing because of the fear that I might someday, in the vast unknowable future, need or want it.  Reading Marie “KonMari” Kondo’s The Life-Changing Magic of Cleaning Up (like just about everyone else) earlier this year, gave me the impetus I needed to try again.  I liked the idea of not being weighted-down by objects and of surrounding myself only with things that, in her words, “spark joy”.  Did I follow KonMari’s method to the letter?  Uh, no.  But I did, almost three years after I moved, finally open every last box I had stowed in the garage and edited many crafting supplies and several books.

As I contemplated each piece, I again felt the familiar tug of anxiety at my chest. Am I being stupid getting rid of this? What if I want it later?  I don’t have a lot of money and it might be expensive to replace.  In these moments, I did not hold the item quietly and ask myself if it sparked joy as KonMarie would have had me do.  Quite frankly, I forgot all about that.  Instead, I thought about what I was giving up by holding onto any given item.

I, like all of us, have a limited amount of time on this planet. If I choose to do X, say make rag rugs from old fabric, that will take energy and time away from doing Y, say writing.  Is making rag rugs important enough to me to take time and energy away from writing.  Would it help me in any way?  Well, the answer for me is no.  Like weaving, rug making could only be considered a backup plan to the other things I am more passionate about in this life.  And, the problem with holding onto the fabric that would be perfect for rug making only keeps the possibility of doing it, however faintly, alive in my mind.  One could say, (and I have) okay, you don’t want to do it now, but maybe in the future . . .  So the idea gets still more life, a tiny trickle of energy gets siphoned off to maintain something that, in all likelihood, I am never going to do and, for which, I feel only a minor excitement for anyway.  I don’t know if there is any physical truth to my energy drain theory, but there is sociological research that indicates that people who commit fully to a goal are more motivated to fulfill that goal than those who have “backup plans.”  It makes sense, I mean, how committed to something can you be, if, somewhere in your mind, you are still entertaining other options?  Plus, I think most of us probably have enough anecdotal evidence that single-minded people tend to be the ones who get the most done.

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Narrowing one’s focus is effective in writing, too. When I was 15, at Oprah’s urging, I read Toni Morrison’s Beloved for the first time.  It was my initial foray into reading contemporary literature and, holy smokes, what an introduction.  Considered by many to be the best novel of the 20th century, its narrative about slavery and love is as brutal as it is beautiful.  I felt breathless as I discovered how amazing and powerful prose could be.  How a mere 95,000 words, strung together like a magical incantation, could change me so profoundly.  Shortly after reading Beloved, I saw an interview with Toni Morrison in which she explained that her purpose, in writing the novel, was to examine slavery in a way that she had not seen it done before.  So many books had tried to capture the immensity of the American slave trade, but she felt their scopes were too wide.  She decided to go narrow and go deep. By telling the stories of a few individuals with whom a reader could feel a sense of intimacy, she was able to convey the horror of slavery so much more poignantly than by rattling off numbers that, no matter how big and atrocious, had difficulty making it past the mind and into the heart.

Go narrow and go deep. I think of this when I am confronted by the huge swathes of possibilities presented to me each day.  When I open my email account and see a plethora of urgings to go in any number of different directions.  I can’t do it all, and trying to will likely mean that I end up doing nothing.  So often when we think of investing in our futures, it’s about obtaining something—classes, books, materials—which, in many ventures, is important.  But, for me, right now, narrowing my focus is the best form of self-investment.  As I say no to many things that are not quite right for me, I am making my yes to those things that are most significant to me that much stronger.

This is becoming my practice: I look at each item in my life—physical and psychological—and I ask myself, Is this what you want to spend your life on? It’s tough when it’s something that looks cool, when my anxiety flares up that maybe I’m missing something (which is ridiculous since we are always missing many things!).  But it’s wonderful when, for example, I am hugging my niece—her buoyant spirit flowing out to meet mine—and the answer is like a chorus of bells all tolling, “Yes!”

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Writing & Reading

The Books That Changed My Life (or at least some of them)

The books that changed my life: My Name is Asher Lev, The Complete Works of O. Henry, Beloved, The HItchhiker's Guide to the Galaxy | dianaklein.com

This week I was searching in my local library’s web catalog for a book by Alice Hoffman.  They didn’t have what I was looking for, but instead I found The Book That Changed My Life.  Don’t you love that about libraries?  Whether you’re online or in the stacks, you can look for one thing and discover gems you didn’t even know existed.  Of course, that usually means that by the time I get to the circulation desk, my arms are overflowing with items that I will never get a chance to consume in the time they are allotted to me.  No matter.

The Book That Changed My Life, edited by Roxanne J. Coady and Joy Johannessen, is a collection of essays from celebrated authors (mostly of fiction) about the book, you guessed it, that changed their lives.  This got me thinking two things: a) How, on God’s green earth, can anyone choose only one book?  And b) To which book would I assign that distinction?  As I dipped into the essays, I found that several of the authors couldn’t limit it to one choice either, so there’s that mystery solved.  But I was surprised to find that not all of them designated novels as their book of choice.  There have been a number of nonfiction texts that have made a huge difference in my life—many of them spiritual or philosophical—but they would never be at the top of the list that jumped to mind when I asked myself the question.  I have learned so much from novels—about the world, the past, myself, that I suppose I think of them as the best textbooks for the school of life.

My sister (eleven years older than I) started reading The Complete Works of O. Henry to me when I was seven.  This book pretty much ruined me for just about all other short stories.  I loved that there was always a kicker at the end, ironic or not.  We never finished a tale with me thinking “Okay, so what’s your point?” which often happens when I read short fiction now.  My favorite story was Springtime a la Carte mostly because it begins:

It was a day in March. 

Never, never begin a story this way when you write one.  No opening could possibly be worse  It is unimaginative, flat, dry, and likely to consist of mere wind.  But in this instance it is allowable. 

It changed my life because it was funny and irreverent and it felt like a personal invitation—as though this man from almost a century earlier was holding out his hand and saying, “C’mon, Diana.  It’ll be fun.”  I think that’s when I knew I wanted to be a writer—not that I thought I could or would ever be good at it, but that, even if I wasn’t ready to admit it to anyone (least of all myself) this was where some part of my passion lay.

I still wasn’t ready to commit to my creativity when I read My Name is Asher Lev by Chaim Potok in my early twenties.  It’s the story of an observant Jew who can’t stop himself from becoming an artist, and further, cannot turn away from the path his art is determined to take—which, in part, is to paint a portrait of his mother entitled The Brooklyn Crucifixion—despite the injury it will cause to his relationship with his community.  I love this book because the protagonist is earnest and really wants to do the right thing, but he knows he has follow his path, despite the difficult consequences—to do otherwise is to be false in the deepest kind of way, and, in a fashion, to turn away from God.  I love the description of Judaism, the rituals such as praying over a simple glass of orange juice.  I love how the book starts.  It’s as though you are walking into a room and hear a snatch from the middle of a fascinating conversation, and you can’t help but want to go back to the beginning and get the whole story.  This book changed my life because it taught me about how close artistry can be to spirituality (or even the same thing?).  It whispered to me about things I might like to do with my life—true things, literary things, small, but powerful things—and it wouldn’t stop whispering.

Douglas Adams’ The Hitchhiker’s Guide to the Galaxy first came into my life as an abridged book on tape.  I think I was about ten, and this science fiction masterpiece blew the roof straight off my mind.  It was as though Adams had given me a crystal, and instructed me on how to hold it and take it in.  Instead of just admiring one side, I was meant to turn it—just a little—and then consider it from this new angle.  And I was meant to do this again and again, over and over, becoming aware of how unfixed an idea or a reality might be.  The book was also really funny.

I read and re-read Beloved by Toni Morrison when I was 16.  Its story about an escaped female slave several years after the Civil War taught me about beauty and horror.  There was a lot I didn’t “get”, but that didn’t bother me.  When I read an earthy and lovely passage about the main character kneading bread, I found a porthole into the life of a woman whose experience had been so different from mine and I wanted to hold her.  I didn’t know books could do that.  I was glad to learn.

What book(s) changed your life?  How?  Why?

🙂